![]() This, though, is a rare lapse in Waid’s considered plotting, the admirable depth of which is revealed in a passing sequence. That and a novel, but somewhat contrived and convenient, method of reversing time play a large part. This, though, is a situation resolved by the end of the book.Īs the Plutonian gathers allies to aid his escape, Qubit and Modeus track him across the galaxy using teleportation technology developed by Qubit. ![]() Reversing a technique used in the previous volume, Mark Waid reveals to the readers all is not as it should be, while the Plutonian remains ignorant. Volume six saw him shunted across the galaxy to be deposited unconscious in a form of cosmic insane asylum, where he appears to have found a friend. Barreto’s depiction of him with a familiar human body, yet robotic face with glowing eyes is quite unsettling.ĭespite his being the most powerful being on the planet, a method was been devised to remove the Plutonian from Earth. These pages largely feature Qubit, super-genius, once a colleague of the Plutionian among the Paradigm, and a digitised robotic version of Modeus, formerly the Plutonian’s greatest foe. ![]() As was the case with Volume 6, the art is shared between Peter Krause and Diego Barreto, with Krause again handling the pages featuring the Plutonian, while Barreto concentrates on the remainder. ![]()
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